"Poet, artist, filmmaker, and curator Heid E. Erdrich explores the indigenous experience in multifaceted ways-personal, familial, biological, cultural. These poems, written from the perspective of an Ojibwe woman, reveal what sustained harassment does to people, especially to women, children, and Native and Indigenous people, how it can lead to the oppression of others and even ourselves, and how experiencing misogyny and sexual abuse can make a person vulnerable to future abuse"--

"To find a missing young woman, the new tribal marshal must also find herself. At rock bottom following her daughter's murder, ex-Chicago detective Carrie Starr has nowhere to go but back to her roots. Starr's father never talked much about the reservation that raised him, but they need a new tribal marshal as much as Starr needs a place to call home. In the last decade, too many young women have disappeared from the rez. Some dead, others just... gone. Now, local college student Chenoa Cloud is missing, and Starr falls into an investigation that leaves her drowning in memories of her daughter-the girl she failed to save. Starr feels lost in this place she thought would welcome her. And when she catches a glimpse of a figure from her father's stories, with the body of a woman and the antlers of a deer, Starr can't shake the feeling that the fearsome spirit is watching her, following her. What she doesn't know is whether Deer Woman is here to guide her or to seek vengeance for the lost daughters that Starr can never bring home"--

"The narrator of this beautiful, often disquieting novel is a young Native American man living on the Fort Belknap Reservation in Montana. Sensitive and self-destructive, he searches for something that will bind him to the lands of his ancestors but is haunted by personal tragedy, the dissolution of his once proud heritage, and Montana's vast emptiness. Winter in the Blood is an evocative and unforgettable work of literature that will continue to move and inspire anyone who encounters it"--

"A young, Indigenous woman enters a colonizer-run dragon academy after bonding with a hatchling-and quickly finds herself at odds with the "approved" way of doing things-in the first book of a brilliant new fantasy series. The remote island of Masquapaug has not seen a dragon in many generations-until fifteen-year-old Anequs finds a dragon's egg and bonds with its hatchling. Her people are delighted, for all remember the tales of the days when dragons lived among them and danced away the storms of autumn, enabling the people to thrive. To them, Anequs is revered: a Person Who Belongs to a Dragon. Unfortunately for Anequs, the Anglish conquerors of her land have a quite different opinion. They have a very specific idea on how a dragon should be raised-and who should be doing the raising-and Anequs does not meet any of their requirements. Only with great reluctance do they allow Anequs to enroll in a proper Anglish dragon school on the mainland. If she cannot succeed there, then her dragon will be destroyed. For a girl with no formal schooling, a non-Anglish upbringing, and a very different understanding of the history of her land challenges abound-both socially and academically. But Anequs is smart and determined, and resolved to learn what she needs to help her dragon, even if it means teaching herself. The one thing she refuses to do, however, is become the meek Anglish miss that everyone expects. For the world needs changing-and Anequs and her dragon are less coming of age in this bold new world than coming to power"--

"Winter approaches, and there's much to do if Piŋa's family wants to be prepared: hunting, fishing, gathering, and more. Now, Piŋa must travel up the mountain to collect obsidian for knapping - the same mountain where his two older brothers disappeared. As he leaves, Piŋa reassures his parents that he will not succumb to the same fate as his brothers. He will return. But when he reaches the mountaintop, he is confronted by a terrifying eagle god named Savik, who gives the boy a choice: Follow me, or die like your brothers. What follows is a harrowing journey to the home of the eagle gods, where Piŋa faces unexpected trials that teach him lessons on the natural world, the past that shapes us, and the community that binds us. With beautiful full-color art, this vivid retelling of the first Messenger Feast - still celebrated today - brings to life the origin myth of how the eagle gods bestowed the Iñupiat with the gifts of music, song, dance, community, and everlasting tradition."--

"1890: When Desiderya Lopez, The Sleepy Prophet, finds an abandoned infant on the banks of an arroyo, she recognizes something in his spirit and brings him home. Pidre will go on to become a famous showman in the Anglo West whose main act, Simodecea, is Pidre's fearless, sharpshooting wife, who wrangles bears as part of his show. 1935: Luz "Little Light" Lopez and her brother Diego work the carnival circuit in downtown Denver. Luz, is a tea leaf reader, and Diego is a snake charmer. One day, a pale-faced woman in white fur asks Luz for a reading, calling her by a name that only her brother knows. Later that night at a party downtown, Luz sees Diego dancing with this pale-faced woman, which results in a brawl with the local white supremacist group. Diego leaves town for cover and Luz is left trying to get justice for her brother and family. Merging two multi-generational storylines in Colorado, this is a novel of family love, secrets, and survival. With Fajardo-Anstine's immense capacity to render characters and paint vivid life, set against the Sange de Cristo mountians, Woman of Light is full of the weight, richness, and complexities of mixed blood and mica clay. It delights like an Old Western, and inspires the hope embedded in histories yet-told"--

"A Council of Dolls is the moving and unforgettable new novel from PEN Award-winning Sioux author Mona Susan Powers, spanning four generations of Yanktonai Dakota women from the 19th century to the present day"--

"From the bestselling author of A Mind Spread Out on the Ground, a fierce, gripping novel about Native life, motherhood and mental health that follows a young Mohawk woman who discovers that the picture-perfect life she always hoped for may have horrifying consequences. On the surface, Alice is exactly where she should be in life: she's just given birth to a beautiful baby girl, Dawn; her ever-charming husband Steve--a white academic whose area of study is conveniently her own Mohawk culture--is nothing but supportive; and they've just moved into a new home in a wealthy neighbourhood in Toronto, a generous gift from her in-laws. But Alice could not feel like more of an imposter. She isn't connecting with Dawn, a struggle made even more difficult by the recent loss of her own mother, and every waking moment is spent hiding her despair from Steve and their picture-perfect neighbours, amongst whom she's the sole Indigenous resident. Even when she does have a moment to herself, her perpetual self-doubt hinders the one vestige of her old life she has left: her goal of writing a modern retelling of the Haudenosaunee creation story. At first, Alice is convinced her discomfort is of her own making. She has gotten everything she always dreamed of, after all. But then strange things start happening. She finds herself losing bits of time, hearing voices she can't explain, and speaking with things that should not be talking back to her, all while her neighbours' passive aggression begins to morph into something far more threatening. Though Steve urges her this is all in her head, Alice cannot fight the feeling that something is very, very wrong, and that in her creation story lies the key to her, and Dawn's, survival. . . . She just has to finish it before it's too late. Told in Alice's raw and darkly funny voice, And Then She Fell is an urgent and unflinching look at inherited trauma, womanhood, denial and false allyship, that speeds to an unpredictable--and unforgettable--climax"--

"A powerful, poetic memoir about what it means to exist as an indigenous woman in America, told in snapshots of the author's encounters with gun violence--for readers of Jesmyn Ward and Terese Marie Mailhot. Toni Jensen grew up in the Midwest around guns:As a girl, she learned how to shoot birds with her father, a card-carrying member of the NRA. As an adult, she's had guns waved in her face in the fracklands around Standing Rock, and felt their silent threat on the concealed-carry campus where she teaches. And she has always known she is not alone. As a Maetis woman, she is no stranger to the violence enacted on the bodies of indigenous women, on indigenous land, and the ways it is hidden, ignored, forgotten. In Carry, Jensen maps her personal experience onto the historical, exploring how history is lived in the body and redefining the language we use to speak about violence in America. In the title chapter, Jensen recalls the discrimination she faced in college as a Native American student from her roommate to her faculty adviser. "The Worry Line" explores the gun and gang violence in her neighborhood the year her daughter was born. "At the Workshop" focuses on her graduate school years, during which a classmate repeatedly wrote stories in which he killed thinly veiled versions of her. In "Women in the Fracklands," Jensen takes the reader inside Standing Rock during the Dakota Access pipeline protests, as well as the peril faced by women, in regions overcome by the fracking boom. In prose at once forensic and deeply emotional, Toni Jensen shows herself to be a brave new voice and a fearless witness to her own difficult history--as well as to the violent cultural landscape in which she finds her coordinates as a Native American woman. With each chapter,Carry reminds us that surviving in one's country is not the same as surviving one's country."--

A young Cree woman is tormented by vivid dreams from before her sister's untimely death and wakes up with a severed crow's head in her hands before returning to her rural hometown in Alberta seeking answers.