"A wide-ranging anthology that shines a light on untold Indigenous stories as chronicled by Indigenous creators, compiled by the acclaimed team behind Turtle Island and Sky Wolf's Call. For too long, stories and artistic expressions from Indigenous people have been written and recorded by others, not by the individuals who have experienced the events. In Ours to Tell, sixteen Indigenous creators relate traditions, accounts of historical events, and their own lived experiences. Novelists, poets, graphic artists, historians, craftspeople, and mapmakers chronicle stories on the struggles and triumphs lived by Indigenous people, and the impact these stories have had on their culture and history. Some of the profiles included are: Indigenous poet E. Pauline Johnson, acclaimed novelist Tommy Orange, brave warrior Standing Bear, poet and activist Rita Joe. With each profile accompanied by rich visuals, from archival photos to contemporary art, Ours to Tell brilliantly spotlights Indigenous life, past and present, through an Indigenous lens. Because each profile gives an historical and cultural context, what emerges is a history of Indigenous people."--

"Chelsea is missing, but she's not gone... In this moving graphic novel, thirteen-year-old Reanna grieves the loss of her older sister. Can she find comfort through her family's Ojibwe traditions? It's been a year since Reanna's sister, Chelsea, went missing on her way home from school. Without any idea of what happened, Reanna and her family struggle to find closure. Driven from their home by memories, Reanna's mom moves to the big city. Left behind on the reserve, Reanna and her little brother go to live with their dad. Reanna is hurt and angry that her mom has run away. She feels lonely, abandoned... but she is not alone. Lights turn on in empty rooms, and objects move without being touched. There are little moons everywhere."--

"Curtis has returned to Fort Smith, six weeks sober and determined to stay that way. Can he find healing in his grandfather's ancient cultural practices? Notorious bootlegger, Benny the Bank stands in his way. With poison slowly killing him, Benny is uneasy about how he'll be remembered. Can he find a way to make amends?"--Provided by publisher.

Set at a classic drive-in restaurant that seems to exist in every Native community, this anthology unites the stories of teens from all kinds of backgrounds through the shared theme of Native joy, with stories and poems reflecting hope, healing, humor, love, friendship, romance, and joy. The road to Sandy June's Legendary Frybread Drive-In slips through every rez and alongside every urban Native hangout. The menu offers a rotating feast, including traditional eats and tasty snacks. But Sandy June's serves up more than food: it hosts live music, movie nights, unexpected family reunions, love long lost, and love found again. That big green-and-gold neon sign beckons to teens of every tribal Nation, often when they need it most. Featuring the voices of both new and acclaimed Indigenous writers, and edited by bestselling Muscogee author Cynthia Leitich Smith, this collection of interconnected stories serves up laughter, love, Native pride, and the world's best frybread.

"Ever since Lucy Smith's father died five years ago, 'home' has been more of an idea than a place. She knows being on the run is better than anything waiting for her as a 'ward of the state'. But when the sharp-eyed and kind Mr. Jameson with an interest in her case comes looking for her, Lucy wonders if hiding from her past will ever truly keep her safe. Five years in the foster system has taught her to be cautious and smart. But she wants to believe Mr. Jameson and his 'friend-not-friend', a tall and fierce-looking woman who say they want to look after her. They also tell Lucy the truth her father hid from her: She is Ojibwe; she has -- had -- a sister, and more siblings, a grandmother who'd look after her and a home where she would be loved. But Lucy is being followed. The past has destroyed any chance at safety she had. Will the secrets she's hiding swallow her whole and take away any hope for the future she always dreamed of? When the past comes for revenge, it's fight or flight. " --

This is an anthology of short memoir comics about modern indigenous life, with some fiction or fictionalized memories mixed in.--Publisher.

"No one knows how a suit of samurai armour ended up in the Fort Smith museum. When a mysterious stranger turns up to claim it, Sonny, a young Tłı̨chǫ Dene boy, is eager to help. Shinobu has travelled to Fort Smith, NWT, to reclaim his grandfather's samurai sword and armour. But when he discovers that the sword was lost in a poker game, he must confront the man known as Benny the Bank. Along the way, Shinobu must rely on unlikely heroes--Sonny, his grandmother, and a visitor from the spirit world. Together, they face Benny and his men, including the giant they call Flinch. Will Shinobu be able to regain the lost sword and, with it, his family's honour? Can Sonny and his grandmother help Shinobu while keeping the peace in their community? Now in full-colour, this new edition includes additional background information and cultural context. Learn about the real-life inspiration behind the story and the intersections between Indigenous and Japanese-Canadian experiences during the Second World War"--

"Before that awful Saturday, Molly used to be inseparable from her brother, Hank, and his best friend, Tray. The indoor climbing accident that left Hank with a traumatic brain injury filled Molly with anger. While she knows the accident wasn't Tray's fault, she will never forgive him for being there and failing to stop the damage. But she can't forgive herself for not being there either. Determined to go on the trio's postgraduation hike of the Pacific Crest Trail, even without Hank, Molly packs her bag. But when her parents put Tray in charge of looking out for her, she is stuck backpacking with the person who incites her easy anger. Despite all her planning, the trail she'll walk has a few more twists and turns ahead. . . ."--Publisher.

"In a world that has barely survived an apocalypse that leaves it with pre-twentieth century technology, Lozen is a monster hunter for four tyrants who are holding her family hostage"--

A true story of "found and lost" ... and found again. "Zintka!" tells the troubled tale of a Native American girl caught between two worlds, accepted by neither. A Lakota (Sioux) baby and her mother who were fleeing for safety became victims in the Wounded Knee Massacre of 1890. The baby was found four days after a South Dakota blizzard, alive by the warmth of her mother's dead body. She was adopted by a prominent soldier and his famous suffragette wife to be raised in their white, high-society circles. Zintka was not accepted there because of racial prejudices in the era of forced assimilation. Neither was she was accepted by her own people when she sought out her roots, in part because she did not speak their language. Named "Lost Bird" at the moment she was separated from her Lakota caregivers, Zintka was chronicled in newspapers from her discovery to her death. She attempted to succeed in show business, joining Buffalo Bill's Wild West Show, San Francisco's vaudeville circuit and as an extra in Hollywood silent films. Zintka died in the Great Influenza Pandemic of 1918-1920 and was buried in a pauper's grave in Hanford, California. Finally, in 1991 her story was discovered through efforts of her biographer Renée Sansom Flood. Lakota leadership from the Pine Ridge Reservation in South Dakota ceremoniously reburied her at the Wounded Knee Monument, near the mass grave of the disaster, which included her birth mother. The name "Lost Bird" came to describe Native American children adopted off the reservation by non-Indians after the publication of her biography by Renée S. Flood, "Lost Bird of Wounded Knee: Spirit of the Lakota" (Scribner, 1995).--Publisher.